I drew this not knowing cropped poet blouses were, indeed, a thing, and was fully prepared to defend them as “existing in the Pokemon world!” or by saying “Dent can wear whatever he wants!”
More very old art.
Thank you for being my friend, even if I’m a lot to handle sometimes.
Drawn for Nicholle (drawnbynic). ;3;
This was drawn for Satoshi/Ash Ketchum’s birthday on April 22nd (according to head writer of the original series, Takeshi Shudo’s novelizations).
Lots of kurokke (Japanese take on croquettes, Satoshi’s favourite food) to celebrate!!
Also drawn for @satochuu . ;3;
I’ll be including my art here too! It’s mostly Pokemon fanart.
Repelling evil with superior good, an Islamic perspective on noble character
“(O Prophet), good and evil are not equal. Repel (evil) with that which is good, and you will see that he, between whom and you there was enmity, shall become as if he were a bosom friend (of yours)” [41:34, Quran]
Commentary on this verse from the English-translated Tafhim AlQuran (with some particularly good messages I’ve bolded for emphasis–I feel like the final point is also very important, so this message would not be misunderstood as promoting silent endurance of any kind of abuse, as unfortunately, it seems like abusive people who would only increase in their evil and tyranny on the rise in the modern world…):
“Although apparently your opponents might have raised a dreadful storm of mischief and evil, as against which goodness might seem absolutely helpless and powerless, yet evil in itself has a weakness which ultimately causes its own destruction.
“For as long as man is man, his nature cannot help hating evil. Not only the companions of evil, even its own upholders know in their hearts that they are liars and wicked people and are being stubborn for selfish motives. Not to speak of creating dignity and honor for them in the hearts of others. It lowers them in their own esteem, and causes their morale to be weakened and destroyed in the event of every conflict.
“As against this evil, the good which appears to be utterly helpless and powerless, goes on operating and working and it becomes dominant in the long run. For, in the first place, the good has a power of its own which wins the hearts and no man, however perverted and corrupted, can help esteeming it in his own heart. Then, when the good and evil are engaged in a face to face conflict and their nature and merits become apparent and known, after a long drawn out struggle, not many people would be left, who would not start hating the evil and admiring the good.
“Second, it was said that evil should be resisted not by the mere good but by a superior good, as if to say: If a person treats you unjustly and you forgive him, it is the mere good. The superior good is that you treat the one who ill-treats you which kindness and love.
“The result would be that your worst enemy would become your closest friend, for that is human nature itself. If you remain quiet in response to an abuse, it will be mere goodness but it will not silence the abuser. But if you express good wishes for him in response to his abuses, even the most shameless opponent will feel ashamed, and then would hardly ever be able to employ invective against you.
“If a person doesn’t miss any opportunity to harm you, and you go on tolerating his excesses, it may well make him even bolder in his mischief. But if on an occasion he gets into trouble and you come to his rescue, he will fall down at your feet, for no mischief can hold out against goodness. However, it would be wrong to take this general principle in the meaning that every enemy will necessarily become a close friend when you have treated him with the superior good.
There are such wicked people also in the world, whose inimical nature will never change for the better no matter how tolerantly you may overlook their excesses and how benevolently you may react and respond to every evil committed by them. But such devil-incarnates are as few in the world as the embodiments of goodness are.”
There is also this commentary on a later ayah/verse…
“Satan feels grieved when he sees that in the conflict between the truth and falsehood, meanness is being resisted with nobility and evil with goodness. He wants that he should somehow incite the fighters for the sake of the truth and their prominent men in particular, and especially their leaders, to commit such a mistake, even if once, on the basis of which he may tell the common people that evil is not being committed by one side only. “
” If mean acts are being committed by one side, the people of the other side also are not morally any better, they too have committed such and such a shameless act. The common people do not have the capability that they may assess and counterbalance fairly the excesses being committed by one party by the reactions of the other. As long as they see that while the opponents are adopting every mean act yet these people do not swerve at all from the path of decency and nobility, goodness and righteousness, they continue to regard and esteem them highly. But if at some time they happen to commit an unworthy act, even if it is in retaliation against a grave injustice, both the sides become equal in their esteem, and the opponents also get an excuse to counter one blamable act with a thousand abuses. “
“Be on your guard against the deceptions of Satan. He will incite you as a well wisher to take note of every abuse and every insult and attack and urge you to pay the opponent in the same coin, otherwise you would be regarded as a coward and weaken your image of strength. On every such occasion whenever you feel any undue provocation, you should take care that this is an incitement of Satan who is arousing you to anger and wants you to commit a mistake.”
The palace featured in Roman Holiday
The Palazzo Brancaccio is where the movie Roman Holiday was filmed! While watching and seeing how ornate and brimming with cherubic angels* and filigrees and odd little sculptures and pretty things– the little horses and their riders on the table were what really made me think, “there’s no way they made all this for the movie!” so I got curious where it was filmed (this doesn’t usually ever happen with me while watching movies)–and it’s a real palace!
It also has a Hallway of Mirrors, .a tribute to the palace of Versailles!
Many locations look just as they do in the film, it’s maintained to this day, open for events like weddings (although I’d imagine it would be a very expensive wedding, you have to ask a year in advance…), but it’s really nice that people can go and take a look inside!
(The scene where Ann, Audrey’s character, kept twisting around in bed, craning her neck, always finding a different statue angel staring back down at her from whatever spot of the ceiling her eyes fell on was amusing, if stifling for her. I wasn’t expecting this movie to be funny!)
A maiden’s childlike self-assurance: Alice and Lolita fashion, modesty and whimsy
Found these excerpts of a book called Japanese Fashion Cultures: Dress and Gender in Contemporary Japan by Masafumi Monden that talked about the way Japanese fashion subcultures adopted Alice as a popular motif of a girl whose appearance is sweet and delicate, but inwardly, she’s confident and can stand alone against whatever the world throws at her.
The popular idea of the character reminds me of what Takemoto Novala wrote to console friendless girls into Lolita fashion–it became trendier later on to dress like a Lolita on occasion, but at its inception, it was definitely a strange fashion that makes one stand out and rejects the way girls are expected to look and behave–it’s whimsical, childlike, anachronistic, and over-the-top… but even though it’s very feminine and delicate, it also insists on a sense of self and freedom that typically only younger girls are freely allowed, something a Lolita would want to hang on to, even if others would expect her to bury any sense of self as she grew up.
I just think it’s very interesting and I do like that seemingly paradoxical contrast (the author described it as a “delicate revolt” and I just love that) that’s unfortunately often missed by skeptical westerners that judge the fashion based on a superficial glance, removed from cultural context, and most unfortunately of all, assumes the worst of it because of the names.
Lolita fashion is about girls clinging to the unrestricted freedom and less stifling expectations of childhood, trying to preserve the wonder and whimsy of childhood a little longer (a lot of Lolita fashion lines are themed on fairy tales, children’s books, and the like)… it’s not intended to appeal to the male gaze, it even used to be said these girls would never find boys to love them while wearing such eccentric outfits!
‘Lolita’ as a name was simply chosen because it was an old-fashioned western name and Lolita fashion is inspired by Victorian children’s fashion, Rococo aesthetics, and various other fanciful and idealized takes on period fashion–the contents of the book and its associated, popular image of a hypersexual child (as the unreliable narrator conveys it) and how it’s co-opted by folks idealizing that abusive relationship… has nothing to do with Lolita fashion!
The popularity of Alice in Wonderland worldwide precedes the unfortunate, recently uncovered details about the author and the story and its aesthetics are certainly more well-known in other countries and languages…
Lolita fashion a relatively modest fashion, too–while a lot of (but not all, longer Lolita clothes also exist!) skirts are short to resemble children’s dresses, they’re often worn with long stockings, petticoats, and old-fashioned bloomers.
Being a naturally modest fashion, it can easily be altered to fit different standards of modesty–there are a number of hijabi Lolita and when news of them reached Lolita in Japan, many expressed their approval and were happy the fashion could spread so far and be enjoyed by people from so many different cultural backgrounds.
Muslimah Lolita who observe hijab will add headscarves, wear longer skirts or swap the stockings for loose pants, etc. as can be seen in this lovely video interviewing some hijab-wearing, Muslim Lolita from Malaysia! Their answers are very enlightening, too, and should help dispel the ideas about who the fashion is really for or what it’s about… when asked why they wear it, their answers were “because it’s cute,” “because someone wearing it looks innocent,” and “[because] sometimes it makes me forget about the hard times, made me feel younger, and I feel like a princess when I wear it.”
between childlike whimsy and lady-like aspirations 